![]() ![]() ![]() Since 2013, her deepening encounter with the visual arts has shifted Crider’s programming increasingly toward social justice issues. It was a work that had a ton of moving parts, lots of artists, a number of disciplines and unfamiliar material. Much could have gone wrong, but the audience was open to the experimentation and embraced it.” “She did a massive program at the De la Cruz Art Collection that packed the house, and it was a risk that she took. “The thing that’s special about IlluminArts is that Amanda takes risks,” Scholl added. What sold Scholl on IlluminArts was Crider herself, and her strength as both an in-demand concert vocalist and an artistic director with a knack for programming classical music. There were one or two that I immediately thought, ‘I’m doing this,’ and Amanda’s idea for IlluminArts was one of those,” said Scholl, who is now president and CEO of Oolite Arts in Miami Beach. “I probably would hear, when I was at the Knight Foundation, several thousand grant ideas a year. For help, she turned to Miami art collector and filmmaker Dennis Scholl, who was also vice president for arts at the Knight Foundation at the time. Trained as a concert pianist before attending the Manhattan School of Music for voice, Crider had an extensive network of music colleagues to draw from, but her links to the visual arts were fewer. I sang and planned the music around her art collection.” “I hosted the first concert in the home of a friend with a terrific collection,” Crider recalled. IlluminArts performances originally took place in residences, specifically of Miami private art collectors. “There I was at a performance with a soloist and pianist I liked and respected in this traditional hall looking over the traditional printed program and I found myself … bored,” she said.įrom that experience came the idea for IlluminArts, a musical series that bridges two often-completely different audiences: classical music lovers and contemporary visual arts enthusiasts. Seven years ago, Miami-based mezzo-soprano Amanda Crider settled in to enjoy a chamber music program in Washington, D.C., that featured art song (poetry set to music) – a genre of music she adores – when something unusual happened.
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